The voice, the verse and Alicia.
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Universidad Antonio Nariño
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http://purl.org/coar/resource_type/c_6501
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Ref: The Voz a Vos Bulletin ; Vol. 9 No. 17 (2024): Festive theater. Popular traditions and celebrations.; 5-8
DOI: 10.54104/vozavos.v9n17
DOI: 10.54104/vozavos.v9n17
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In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal expression through the creative interpretation of poetic texts, including bodywork in a consistent manner” and part of the thematic content states: “Creative interpretation (to be evaluated). Free verse: Analysis by ideas, Review of its sounds, Rhythm, Vocal exercises, The rest of the body in the poetic text; which implies a disadvantage for actors in training since they lack knowledge of Classical Baroque theater and its interpretation.