Licenciatura en Artes Escénicas
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Browsing Licenciatura en Artes Escénicas by Author "Cárdenas Avella, Carlos Eduardo"
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Item La Casa de Bernarda Alba, Sistematización de la Experiencia Vivida del Montaje Conjunto 2019 – 2 Asumido Desde la Acomodación del Texto Dramático(Universidad Antonio Nariño) Corredor Niño, Yulieth Paola; Cárdenas Avella, Carlos EduardoThe analysis of the “Montaje Conjunto 2019-2” experience about the adaptation of the dramatic text “La Casa de Bernarda Alba”, written by Federico García Lorca. Becomes the development of the systematization, in an study of the elements that influence the original work: (geography, time, historical events, context: social, political, cultural, and oral tradition); that create a set of analogies and divergences resulting in a new dramaturgy, approaching themes posed by the author in his work a "drama of Andalusian sexuality" Cervantes (sf) that led to an investigation of the role of women in the XX century and the revolutionary movements that took place in Spain - Region of Andalusia and Colombia - Andean region; the similarities against the context of the author as a social entity, the personal environment (his experiences) and the work; Finally the folklore of two divergent and analogous cultures is presented establishing a link in the way of preserving the tradition, transforming it and creating a staging of two unique cultural contexts.Item Sistematización de la Experiencia Vivida del Montaje Teatral con la Obra “De Caos y Deca Caos” de Santiago García en el curso de Teatro Colombiano 2019(Universidad Antonio Nariño) González Camacho, Elizabeth; Cárdenas Avella, Carlos EduardoThe analysis of this Systematization of the Lived Experience of the Theater Assembly with the Work "De Caos y Deca Caos" by Santiago García in the 2019 Colombian theater course, gives an account of the training process from the creation, stage transformation, management, production and projection of work, in which the assembly process is undertaken from the collective creation proposed by the Teatro la Candelaria group. The Colombian Theater course develops accommodation of the text and from audiovisual material begins assembly in order to maintain the essence of the work. For this, each of the students in the development of each painting actively participates and intervenes in the scenic proposal. The management and production of the IX International Theater Festival of the Americas, evidences the process of organization and planning that took place, after completing the first stage corresponding to academic presentation in the period 2019-1.