Artes plásticas y visuales
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Browsing Artes plásticas y visuales by Author "Hinojosa Parra, Rita Paulina"
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Item Cafeina-Mateina, La presencia del café y el mate en la vid cotidiana(Universidad Antonio Nariño) López Bautista, Paula Andrea; Hinojosa Parra, Rita PaulinaIn other words, a reality is built from the collective interactions of everyday life; based on knowledge, beliefs, norms. A representation can become a perception of a concrete concept that is present in the minds of all people. Thus the observation and appropriation of two interactions located in the cultures of Colombia and Argentina, represented in the consumption of two traditionally used stimulating drinks configure a thematic approach to the project and lead to the imaginary of creation of work in order to create from the experiences acquired compositions that unite these two cultures by making them one through the form and the image. Where the senses allow a journey based on experiences acquired towards the path of integration as an ethnographer. The concern of formulating CAFFEINE-MATEINE was born, as the name of my creation research project. This project idea arises from the acquired own experiences allowed thanks to the continuous integration in two cultures; in this case of Colombia as a native country and Argentina as a country of origin. new encounters of knowledge acquired from everyday life. exploring various materials such as clay, plasticine, flour, soap, photography, video, animation, performance.Item Manifiesto Creación(Universidad Antonio Nariño) Gallo Perez, Diego Alejandro; Hinojosa Parra, Rita PaulinaRecognize creation as a journey in life; being so we cannot ignore our single presence in space. Everything is affected in time and space from the most seemingly insignificant. For example: the place that we occupy inside a store, square, social group, will always be affected by our presence, even if it is only arrange to remain silent.Item Nicografía(Universidad Antonio Nariño) Arias Gil, Nicolas Camilo; Hinojosa Parra, Rita Paulina; Vidal Rubiano, ReneThe realization of a visual plastic proposal that accounts for the formation academic that you have, faces many possibilities to those who want to take it to After all, it is in fact a recognition in a continuous evolution, where the productions or plastic exercises that in the academic field and within a study plan are have done, present difficulties on some occasions, or on the other hand acquire sense, in one way or another, learn to dominate the multiple activities to which being subjected to a plastic and visual artist implies facing situations adversaries, but if one is able to assume with attitude, dedication and why not, with the aptitude you have, will allow you to learn to carry out an activity that gives account and that implies professional fidelity. For the development of this project several ideas have been had, it has been racked by various concepts, speculations and doings, has been considered from the hyperreal, the pop, kitsch among others; from painting to installation; from random to the rational, in short, in this coming and going, there comes a time, in which, by way of self-recognition, it is decided to address material constructions that precede the academic, that is, we want to give meaning to a work that has already been several years ago, are some works in porcelain and polymer clay that they discover a particular aesthetic and give an account of what is seen and how it is. IT IS to pose and juxtapose in the elaboration in a creative and imaginary way the game itself fluently that has influenced speaking from childhood to the present presenting a narrative.Item Una Realidad Aparte_desde el color(Universidad Antonio Nariño) Sanchez Bernal, Nicolas; Hinojosa Parra, Rita Paulina"Many discuss rumba, and they don't even know what cumbia or guaguancó is" Ismael Miranda sings to us, while he asks, listen to his guaguancó. Who knows if he has, or no, reason in his "fight"!; just like me: the fight and the brawl, I don't need it. What I emphasize, it is his will to confront the need to understand what is being done. The origin. Leaving salsa, from being a purely musical theme, to invite us to understand what we hear. Later, if we can give each other a fist, a slap and a stick. Thus, taking as an example what Miranda sung, I think: What should I talk about, and not? What is truly important to me? And I see this question of origin, which It reminds me of Martí when he said: “Doing is the best way to say”; and so diluted that what is truly important, at this moment in my life, is in the PAINTING, originally in me; and that the best way to say, about this doing, is not start painting to show… no. And is that what to do to find the best way to say, what do I understand by PAINTING? Well this: write. And not as a writer, but as a painter. So whoever, for whatever reason, is reading what is written here; tell that these are my concerns; product of the experiences lived, since I entered in the paint. Because concerns are the ones that occupy the entire text; being this, the making-place, which I chose to reflect on. They are my wishes, and my wishes are for you PAINTWORK. So feel free to read me however you want, wherever you are, and with the same freedom with which I wrote all this.