Artes plásticas y visuales
Permanent URI for this collection
Browse
Browsing Artes plásticas y visuales by Author "Gil Reyes, Norman Esteban"
Now showing 1 - 2 of 2
Results Per Page
Sort Options
Item Ague(Universidad Antonio Nariño) Rosado Jerez, Alberto Elias; Gil Reyes, Norman EstebanThe heritage of the weaving of the traditional Kankuama backpack, whose knowledge was transmitted for generations within my family circle, brings with it countless stories, of oral tradition, which set in me the desire to unveil this knowledge of the environment inhabited by those who they preceded me In equal measure, moving to the City of Bogotá implies the acquisition of an identity conditioned by the social dynamics of the city; Faced with this constant process of alienation, I ask myself simultaneously about the before and after, my memories and knowledge, and in this constant questioning I suspect both of one and the other. Therefore, the need arises to go back to the environment and seek in it a critical and reflective analysis regarding weaving and random provocation: weaving as Las Moiras do, or better yet, as my Great-grandmother did; to be able to find in that vital act the consolidation of the self.Item Entre ausencia y presencia(Universidad Antonio Nariño) López Parra, David Stiven; Gil Reyes, Norman EstebanThis project is part of the material relevant to the work of grade to opt for the title of master in fine arts and Visual of the Antonio Nariño University. This material involves an academic text (this text), a book artist, and an exhibition. Between Absence and Presence, is an academic text of research-creation, which investigates, from contemporary artistic practices, the relationship between life and death, through the presence of my mother. Its structure orders the different moments that the artistic project goes through; at first it feeds on the log; a travel journal that records reflexive gestures and some poetic texts. In the second moment, images of art and history are analyzed, in addition to genealogical photographs; a third moment is the creation of a laboratory, exercise of external observation, and fourth phase the final materialization. From a personal perspective, outlining multiple definitions of a chair; a space, a body, a road, a sound or a presence, concepts and meeting points between figure mother, my father, and the Act of walking, part of the process of my artistic practice. Continue the resulting definitions above categories, each category deals with personal reflections and images type historical, genealogical, and memory, introduced as related artistic and historical scenarios. Shows plastic gestures and reflections: an approach to materials, drawings, photographs, or sound pieces that become of inquiries. Finally; as a result of the performed process, define the approach of the creation and realization of the plastic work.