Tres piezas de música carranguera, para piano a cuatro manos
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Date
2020-05-20
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Universidad Antonio Nariño
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http://purl.org/coar/resource_type/c_7a1f
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Abstract
This research and creation work proposes an interpretation from the
piano perspective, of the music that was born in the geographical area from which my
father: land to which I feel tied by ties of love and blood. Also searched
reflect at a sociocultural level, about the importance of carranguera music in the
consolidation of boyacense cultural identity and how this music was, has been and will be
a benchmark of the power that music and artists in general have, as cohesive
of a society and as guardians of the collective memory of communities and of the
cultural heritage.
It was proposed then, to try to interweave the sounds of some jewels of this
peasant music, with the technical and timbre possibilities that a
traditional piano and create from this a memory in principle familiar, of our
proud peasant roots, that in a world like today, take on an immaterial value that with
all conviction I think should be preserved.
Although the work of Jorge Velosa and the other carranga musicians who have
accompanied in his creations, has been a source of entertainment, dances and laughter, among the
peasant population to which it was initially addressed; beyond. ³LRV caUUaJXeURV of
RaTXLUi' initiated a cultural revolution in the Cundiboyacense region, which claimed, the
pride in being a peasant, historically a victim of dispossession and abandonment by a State
indolent towards its most humble populations. They vindicated the pride of belonging to
this region, full of material and cultural wealth, thanks to its people and their customs that
sadly, for decades they were despised and undervalued.Three representative pieces will be adapted in this project in the tradition of the
music by Jorge Velosa, to the language of the traditional piano, doing everything possible to
preserve his carranguero sound as a small tribute to him and to all the musicians
of carranga throughout these years.
Although, when beginning the approach to the work of Jorge Velosa y los Carrangueros, it was
found that his music today is widely known in the central region of the country, he
It is also evidence that with the passing of recent years, new popular music has
been stealing prominence among the younger population, since the music industry with the
help from the media, in which they also have a part; drive
tendencies far removed from the cultural roots of the regions globally, making the
new generations leave on an increasingly relegated plane, the traditions of which
we come from
I believe in the importance of preserving cultural identity as a
intangible heritage that from the academy must be promoted, conserved and also
develop: with this project, it is intended, even if it is, to contribute a small grain of sand to
this important task.
The reader will find a brief approach to what has been written and done to date.
moment from the academy, which involves carranguera music as thematic axis, as well as
as the process by which these adaptations were chosen and executed
finally achieved; including a formal musical analysis of each piece,
a transcription of the essential melodies, harmonies and rhythms in which it is played
develop them, as well as the process by which they are
will develop the project ³Three pieces of carranguero music for four hands piano´.
Which is finally the fruit that was born from this work.
Keywords
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Colombia(Bogotá,Dc)